Which Film Camera To Buy

Over the past few years, since I started this website, I take been inadvertently making myself a target for questions such as "which film camera should I buy?" and "what's the all-time film photographic camera?" My Instagram is the greatest source of these questions, which is not surprising really since I've filled my feed with pictures of film cameras – I guess people think that I'm some sort of practiced and therefore that I must know the answer to these sorts of questions. Unfortunately, I don't know the answers – but, If you're someone with these questions in mind, I tin hopefully aid you find the answers for yourself.

This post is largely aimed at beginners into the world of film photography. Below you lot will find out why I don't know the answers to these questions, why I don't brand specific recommendations for detail film cameras, some thoughts effectually buying your showtime picture show photographic camera, what sort of photographic camera might exist correct for you begetting some of the core principles of photography and how much you lot want to learn, some details on different types of cameras, and finally some advice around not falling foul of something chosen GAS.

If any of that sounds like it might be useful to you lot, then read on – just be aware, whilst the questions might sound uncomplicated, my version of the reply is definitely not the simple i…

No time for the expert reply?

Contents

• 1 No time for the expert reply?
• 2 Why I don't make specific recommendations
• three And then why am I writing this post?
• 4 Time for the "adept" respond
  • four.ane Buy sensible – at least the first fourth dimension round
  • 4.2 Buy the right type of camera for you lot
    • iv.2.1 A crash course in the basic principles of photography
      • four.2.1.1 Exposure and Focus
      • iv.ii.1.ii Exposure
      • 4.two.1.three Focusing
      • 4.2.1.4 Where focusing meets exposure
      • 4.two.1.5 It's easier than it might seem now
      • 4.ii.ane.6 Automatic vs. Manual
    • 4.ii.2 Then what does all this hateful to you?
• v Movie photographic camera types
  • 5.1 35mm cameras FTW
  • 5.2 Indicate & Shoot film cameras
  • 5.3 Advanced compact cameras
  • 5.4 Scale and Zone focus film cameras
  • v.5 Fixed lens rangefinder film cameras
  • 5.6 Interchangeable lens rangefinder film cameras
  • 5.7 SLR film cameras
• 6 Forget about the camera
• seven More reading

Every bit I've said, I must look like an adept by the merit of all the movie cameras I've posted on my blog and social media – the irony is, I think simply a few people who ask me these questions want the expert answer. I think most people asking the question want me to tell them the proper noun of a specific moving picture camera that will be perfect for them. Allow me just say now, if I've directed you to this mail, or you've found it looking for a specific film camera recommendation, you won't find one hither!

Why I don't brand specific recommendations

In that location are a couple of reasons I don't brand specific film camera recommendations. The offset is simple. Moving-picture show cameras are going upward in value all the time. If I wrote a post saying this or that moving picture camera is the all-time for beginners, there'southward a chance its value would increase making it less adept for beginners. I've seen this happen earlier with i particular film camera that a lot of people recommend every bit the "best for students". The value of them is now much higher than some other film cameras that take similar features – and for no other reason than that they've been recommended so many times. I don't want that to happen once more, especially not based on my personal preferences and opinions…

Secondly, I can't predict whatever individuals personal preferences and goals. As I've alluded I have preferences when it comes to film cameras, and goals with what I want to exercise with them. We all do, and y'all will too. Because of this, over the years cameras take been designed in lots of different ways to suit these different preferences and goals. Combine that with technological advancements that have happened over the last hundred or so years, and the possibility for what might make the right motion-picture show camera for you is almost countless. As such – and equally I will come up to in much more item – at that place is no right reply to the question. Quite simply, there is no best picture show camera!

A screen grab of my instagram – it'south possibly no wonder that I get asked these questions

And then why am I writing this mail?

It might seem odd that I'm writing a post designed to help people find their first film photographic camera when I'm unwilling, and frankly entirely unable to make a specific recommendation…? Well, if I'm honest, to a certain degree it comes from a place of being a trivial exhausted past beingness asked these questions. Not least because providing my best try at an answer is often then profoundly unrewarding – though I must acknowledge, some of this probably my own mistake.

Because of my awareness of all the variables, helping someone notice out what kind of film camera might be right for them takes me request a few question to dig a bit deeper into how much they already know, what they recall their goals are, and if they exercise already have whatever sort of preferred type of motion-picture show camera. Unfortunately, I would say the majority of the times I've tried this approach, people end up getting bored and non getting back to me!

In fact, I detect that only a small per centum of people empathise this need for me to ask them questions to requite them a good answer. The worst of it is that people losing involvement in me trying to help them has happened so many times that I've at present become quite contemptuous and don't give many people as much fourth dimension as I used to. Unfortunately, this means that the few people who are genuinely interested in what I have to say are getting a much less involved or interested response. I happen to know I'k not the only motion picture camera blogger who's had this experience too.

As such, as I've already hinted, this post is aimed at those few people who practice want to sympathise a fleck more, and not those looking for quick answers. If you're looking for a quick answer, get yourself over to YouTube where y'all'll detect a skillful few people who call back they know more than well-nigh what's right for you lot than you do.

Time for the "expert" reply

I've spent a lot of time writing about film cameras over the final few years, so to some degree I suppose that does make me some sort of skilful – I'm certainly aware of the existence of a huge range of different film cameras and many of their respective pros and cons. Only, as I've already said, if there'south one thing I've never thought, it'south that one particular film camera is the "best"; not for me, and certainly not for anyone else – there are just too many variables for any one camera to be "best" for anything.

Even beyond an individual's goals and preferences, there are vast amounts of variables. The variables within photography are so vast in fact that even the well-nigh in-depth tomes on the subject field don't cover it all, or even come up close. I know a tiny fraction of what there is to know well-nigh photography – but I know enough to have a really good understanding of the fact that the subject is practically speaking, infinite. As such – and as any lensman worth their salt will tell you – the camera is only a small piece of the photography puzzle.

Funnily plenty, this is even more the example when you're just starting out, when actually, for a large function, having a film photographic camera that but works is arguably more than important than choosing a specific make or model!

Buy sensible – at least the starting time fourth dimension circular

This, quite neatly, leads me on to my first tip – and I do call back that this is quite important! Buying your commencement motion picture photographic camera, you need to ensure that the camera y'all buy is functioning exactly as it was designed to. If y'all're new to photography, having a camera that doesn't work every bit expected can cause you all sorts of issues.

Even now, with all my feel with moving-picture show cameras, when faced with a camera that's not working properly when I presume it is, information technology can misfile me. Just the other solar day I was faced with a moving-picture show camera that I assumed to be working but that had a small error. This small fault really baffled me, equally at first information technology made me question if I was using the camera incorrectly. The chap whose motion picture camera it was had been using it without even knowing it wasn't working right – in fact, he'd brought it to me to bank check it over.

I eventually diagnosed an issue with it that probably ways the shots he had taken with information technology up until that indicate won't come out as they would've if information technology was working properly. Without my input he would possibly assume it was something he did incorrect, and non a error of the film camera in question. And fifty-fifty if he did recollect it was an event with the camera, without having much experience of other cameras it would likely take him some time to diagnose the issue.

Unfortunately, this is one of the primal downfalls of getting into film photography. In that location are very few picture cameras nevertheless fabricated today, pregnant the 2nd hand market place is really the only option for ownership ane. This ways the likelihood of buying a motion picture photographic camera that doesn't work as it should is a real outcome.

At that place are loads of ways you tin test cameras of course, but as a beginner, many of them can exist quite confusing. As such, for the sake of your first film photographic camera, it's ameliorate to have someone in the know do the testing for yous. If you know someone who knows a lot about film cameras, great, have them with you when yous buy one, or at least get them to examination it before y'all leave shooting with information technology.

If you don't know anyone who knows about movie cameras, your best choice might be to buy from a reputable dealer and being firm with them near your need for them to double and triple check that what you're looking to buy does indeed work equally information technology should.

Buy the right type of camera for you

With all this said, there's definitely however an argument to be made for buying the right sort of motion-picture show camera for you. Different brands competed with each other with similar models with similar functions and features, equally such the differences between one model and the adjacent tin can be very subtle. These subtle differences will exist mostly meaningless to you as a beginner, but information technology'south still of import to accept a camera that suits your needs. For example, there is little point in ownership yourself a camera that you either tin't use, or don't have the want to acquire how to use.

Every bit such, my 2d tip – which I'm going to expand upon a fair bit – is to purchase a film photographic camera that is going to adapt how much you lot want to acquire most film photography, how quickly, and in what club.

As I've alluded to, there is a lot to larn, discover out and understand when it comes to picture photography. What'south relevant about this when it comes to film photographic camera choice is that different cameras volition mean you need to learn different things in a unlike order, and therefore volition adapt different people for different reasons. This of form comes dorsum to those preferences I previously mentioned. The event is, if yous don't know anything virtually photography, it'south going to be hard to define or understand what your own preferences might be.

A crash grade in the basic principles of photography

You're going to have to bear with me at present, as the following is going to exist a scrap of a crash course in the basic principles of photography. To some this will might exist teaching granny to such eggs, just to others this might all seem to be a picayune chip complicated. Just, this is important groundwork stuff that volition hopefully help you make a better decision about what sort of film camera might be right for you.

Exposure and Focus

Fundamentally there are only two things y'all need in a picture show camera; any photographic camera for that matter. You need it to be able to focus, i.e. accept a sharp/non blurred photo; and you demand in that location to exist some command over exposure. As I will come to, both of these can be controlled past you, or automatically the camera, depending on the camera you choose.

Exposure

Tackling exposure beginning. In very simple terms, exposure is what governs the amount of light that hits the moving picture inside the moving-picture show camera, and how the film reacts. More light equals brighter photos and less light equals darker photos. Additionally, different types of film are more sensitive to low-cal than others – this is defined by something chosen the "ISO", flick "speed", or the "sensitivity" of the pic (nonetheless thing, only different words).

Kodak ProImage 100 – 100 ISO film

As such, in very simple terms when it's really bright y'all might desire to limit the corporeality of light coming into the camera and/or use a less sensitive film, and when information technology'due south very dark you might want to get equally much light into the camera every bit possible and/or use a more sensitive film.

The decisions that either you lot or the camera will demand to make to have a well exposed (not too bright or also dark) photograph are based effectually something called the "Exposure Triangle". The exposure triangle is made up of the aforementioned sensitivity of the film, the set "aperture" which defines size of opening/pigsty in the lens and therefore how much light gets through, and the "shutter speed" which defines the amount of fourth dimension the camera lets light hit the film.

In the early days of photography, photographers were forced to manually set shutter speed and aperture based on taking a separate light reading and translating that into appropriate settings for the sensitivity of the film within the movie camera. Over the years since, photographic camera articles adult film cameras that helped with the choice of shutter speed and aperture. Initially they had built in light meters that read the light and told y'all to what setting the photographic camera needed to be set, and so later automation kicked in and film cameras began to get clever plenty to make the decisions about what settings should be used to get a well exposed photograph.

Focusing

The verbal same can exist said for focusing systems. Early on film cameras relied entirely on the user setting the focus, some later on cameras take automatic focus that means the photographer tin point the camera at the subject and let information technology exercise the work.

There is more than to focusing than this though. In that location is a part of a camera's lens called "depth of field" – or to brand things more easy to empathise, "depth of focus" (or "DOF" for curt). Depth of field governs how much of the photo in front end of the lens will be in focus. Narrow depth of field means what is backside the subject will be more than blurred, and a broad depth of field means that there will be less blur, or peradventure fifty-fifty no blur backside the subject at all.

Narrow depth of field

Broad depth of field – taken with the same lens every bit the shot above

Where focusing meets exposure

What'due south really important here is that depth of field is controlled by the aperture of the lens, which every bit I've said is one corner of the exposure triangle. A smaller aperture in the lens lets less light in, but means that there is more depth of field. As such, if you lot desire more depth of field, you lot either need to employ a more sensitive picture show or a slower shutter speed. If you want less depth of field you lot might need to employ a less sensitive film or a faster shutter speed. Of class, slower or faster shutter speeds have other impacts on the outcome likewise. Use to wearisome a speed with a moving subject and you might find you lot end upward with a motion blurred subject. As, as a general rule, the more sensitive the film, the more grainy the photo. The exposure triangle is about balance – camera settings are reciprocal, modify one and you need to alter another to retain the aforementioned exposure. "Correct" exposure is therefore a creative conclusion that expands across just how vivid or dark your photo is.

Get your head around this stuff, and you are pretty much set – the issue with the exposure triangle as a concept is that it'due south quite tricky to get your caput around equally a beginner. Merely – and this is the main reason I wanted to highlight all of this stuff – different motion-picture show cameras crave different levels of understanding to apply them. Some film cameras will enable, or perhaps even force you to larn more, whereas some film cameras do a lot more, or even everything for you lot.

It's easier than it might seem now

I only want to add together at this phase that if you lot didn't understand that stuff above, you're going to have trust me when I tell you that the moment the exposure triangle clicks in your caput and you fully understand it all, y'all'll expect back and wonder why it one time seemed so complicated. That said, as I will come to, whilst it's good to know this stuff, it's not essential if y'all take a photographic camera that automatically controls some or all of these functions. If you want to observe out more most the exposure triangle, read this.

Automatic vs. Transmission

Equally y'all might guess, more automated film cameras practise more for you and more manual film cameras do less. More manual cameras crave the user to have a greater, or in fact sometimes complete agreement of the exposure triangle to get a good event. Whereas more automatic pic cameras – at least as a general dominion – allow the user to take photos with less of a need to have every bit much knowledge about what's going on in the photographic camera.

This might make some people more inclined to buy a more automated camera to start with – the problem is, sometimes these automated features can become a hinderance to learning. A fully automatic film photographic camera for instance often might not even tell you lot the settings information technology is choosing, thus completely hiding the core functions of the photographic camera to a point that it makes the learning procedure quite difficult, or at least a touch counter-intuitive. Worst case scenario, automation tin in fact get a crutch, even to those with a want to acquire.

A fully automatic film camera

On the flip side, fully manual film cameras require a lot more than learning fifty-fifty to accept a single photo and get a good consequence, but they can provide the perfect platform for learning and understanding the core principles of photography without layers of automation getting in the way.

A fully transmission moving-picture show camera

To make things fifty-fifty more complicated, film camera choice betwixt automatic and manual isn't binary. Film cameras range from fully manual, through having minimal basic automatic modes, all the way through to generally automated and fully automatic. Film cameras have as well been designed with different users in heed. Some were designed for mum or dad to take snaps of the kids, with the opposite and of the spectrum being cameras that were designed for professionals. Even professionals like automation, but how a motion picture camera is automated and designed for a pro, is very unlike to how a moving picture camera is designed for and automatic for a coincidental holiday snapper.

So what does all this mean to you?

It's difficult for me to say what all this will hateful to you. I don't know you, I don't know how you learn and I don't know how much you lot accept a want to learn to become to the stage that you can go a good result. Only you can answer those questions virtually yourself… hopefully information technology's pretty clear past now why I don't similar making specific recommendations about what film camera whatsoever individual should buy.

What I volition say though is this: Anyone who tells you "transmission" is just for professionals or experts or that automation is "cheating" is talking utter nonsense. At that place was a time that at that place were only manual film cameras, and there were enough of casual snappers learning the core principles needed to take expert photos. Every bit, as a professional, particularly on jobs such as events, I completely rely on various automatic modes, and make no alibi for it either! What makes a adept photographer, at least when it comes to the tools, is ane that knows how to utilize them best to become the desired results.

Personally, I'd encourage everyone to learn the cadre principles, but I know information technology'due south non essential. I know successful photographers who struggle with what I think of as the nuts. As, in that location are plenty of people who know lots near photography only are adequately rubbish at it in practise.

The fundamental is finding what works for you. Hopefully though, some of the above will give yous some clues. The next trick is going to be deciding what level of automation or otherwise might work for y'all, and translating that into the specific type of movie camera that might conform yous best.

Film camera types

As I've made articulate, I'm not going to make any specific recommendations about item film cameras. What I am going to do is go over a few details and differences betwixt film camera types. I'm hoping that combined with some of the above, this should translate into you at least having a better thought of what sort of camera might work for you.

35mm cameras FTW

Everything I am going to talk well-nigh here takes 35mm motion-picture show, otherwise known as 135 film cartridges. This film is the nigh mutual and the most economical, then is definitely the all-time starting point for the beginner.

Point & Shoot pic cameras

Point & shoot film cameras tend to be autoexposure and autofocus. As such they are probably all-time suited to those who want to just get on with snapping without having much want to acquire the core principles I talked about above.

Many of them don't tell you what shutter speed or discontinuity the film camera is set at, or the distance the lens has focused to. They give footling control to the user and where largely speaking designed for the consumer market. They aren't foolproof, but for the most part take ok photos.

Some fixed lens bespeak & shoot pic cameras – photograph credit: Anil Mistry

Point & shoot film cameras come up in fixed and zoom lens variants. Stock-still lens cameras are slightly better in lower lite, zooms are more versatile in skillful daylight, but the lens quality might not be every bit high. I tip: look out for a model that allows you lot to switch off the wink as you lot're quite likely to find that pick useful sooner rather than afterwards.

A zoom point & shoot motion picture camera

About £15-50 is skilful money to spend. Many have been over-hyped and go for hundreds, just aren't that different from the much cheaper cameras. Y'all tin can find loads of reviews of this type of camera hither

Advanced compact cameras

A subset of signal & shoot film cameras is what I call advanced meaty cameras. They offer pretty much the same user experience, simply tend to exist made of metal instead of plastic, have some manual controls and often have customisable features.

These cameras sell for c.£1000

These cameras take also been overhyped now and go for a lot more coin than they should. It's fair to say that they often take squeamish lenses, merely thanks to the cameras being reliant on electronics, they are beginning to be quite prone to failure. As such, I wouldn't recommend one of these to a beginner – the advantages they bring are likewise subtle for the beginner to appreciate, and the adventure of them declining is as well high to balance the cost vs. these subtle advantages. You can find reviews of these sorts of cameras here

Scale and Zone focus moving-picture show cameras

Scale and Zone focus picture show cameras are broadly the more consumer oriented cameras that came before the point & shoot movie cameras higher up. They are all transmission focus, with zone focusing beingness something you do based on an understanding of depth of field and scale (or symbol) focusing beingness something achieved by looking at symbols that stand for distances.

A fully manual zone focus camera

Symbols for setting focus distance – this camera has autoexposure

These film cameras range from fully manual cameras that accept simple meters built in to tell you what exposure to gear up, all the style through to fully automated exposure cameras that just require yous to set a focus distance. Again, the automated ones aren't fool proof, but they can exist adequately reliable in good lite.

In that location are so many different makes and models of this type of photographic camera with dissimilar levels of automation that they exercise make cracking option for the beginner looking to ease themselves into learning some of the cadre principles of photography. You tin can find loads of reviews of this blazon of camera here.

Stock-still lens rangefinder film cameras

Fixed lens rangefinder motion-picture show cameras often look similar to zone focus film cameras, the main divergence existence that they have a focusing help within the viewfinder called a rangefinder. A rangefinder is essentially a serial of mirrors within the camera that, via a separate window to the viewfinder, overlays a rangefinder "patch" in the heart of the view through the finder. This rangefinder patch allows you to triangulate the bailiwick distance to obtain correct focus. Sound complicated? It's not, you simply line upward the fiddling image in the eye of the viewfinder with the residual of the prototype and yous have correct focus.

The view through the finder of a rangefinder moving-picture show photographic camera

These film cameras also range from fully automatic to more often than not manual, and frequently have built in lite meters. Over again, they make a great option for the beginner for the same reasons zone and scale focus cameras do. Yous can detect loads of reviews of this type of camera here.

A thread mountain rangefinder and Canon fixed lens rangefinder

Interchangeable lens rangefinder moving-picture show cameras

Similar to the fixed lens rangefinder film cameras though fewer of them have automatic features. The principal benefit of this type of camera is that yous can modify the lens, though there are limitations to what sort of lenses usefully work on a rangefinder. These sorts of film cameras are also very pop, with the well-nigh popular ones existence very expensive. Some of the more affordable ones are every bit such because they are less reliable. Good lenses can besides add a wad of cash too. Because of this, personally, I call up there are meliorate option for the beginner than this type of motion picture camera – though I'm sure some would disagree, especially if yous tin beget a nice one!

If you lot want to know more near rangefinder cameras specifically, I've written a fairly in-depth mail service about them hither. There are besides enough of reviews of unlike models to be establish here.

SLR film cameras

In elementary terms an SLR, or Single Lens Reflex film camera is one that allows the photographer to become a pretty good representation of what the photo will look similar just by looking through the viewfinder. Light travels through the lens, is reflected via a mirror and prism, through the viewfinder, and into the eye of the user. Equally such, framing the photograph is pretty much a "what y'all see is what yous get" experience. This is different to all the other types of picture camera above that take an offset viewfinder that's dissever to lens.

A modern SLR

It's my conventionalities that SLR film cameras make some of the improve cameras to learn with, or at least they are possibly the safest recommendation. This is partly considering of the the way the viewfinder works, simply also because there are so many of them to cull from. SLRs began to gain popularity throughout the 1950's and accept been produced ever since. In 2018 Nikon and Canon's flagship pro-spec cameras are all the same SLRs. The result of this is that there are stacks of SLR cameras out there to choose from ranging from fully manual exposure and focus to fully automatic, and every possibly combination in between. The trick, of course, is finding one that suits yous.

Left, the height dial has automatic modes designed for the "Enthusiast" market. Right, the green "auto" way and scene modes; designed for the amateur

Though not e'er the rule, it'south fair to say that the later the film camera was made the more features and/or automations the camera volition have. Early SLRs were very basic, with very belatedly film SLR moving picture cameras having very like features to early digital ones. It's besides worth noting that later on consumer level cameras had more than automatic features that made them more like point & shoot cameras, with enthusiast and professional models having loads of features that can get quite overwhelming to the beginner. As such your motivations for shooting film and indeed the manner you learn will ascertain what what makes the correct SLR choice for yous.

A manual SLR picture show photographic camera with a manually controlled shutter

A 50mm prime number lens with manual aperture control

One terminal tip if you're thinking of ownership an SLR: you'll demand a lens. My recommendation would be to either become a 50mm "prime number" lens or a "kit zoom". You shouldn't need to spend more than £100 for either of these options. The 50mm lens will be better in lower light, the zoom will be more versatile in twenty-four hours light.

A zoom lens

Forget about the camera

My last tip is probably the most important tip of all. In one case y'all've called a movie camera, get shooting with it and try and forget almost information technology as a thing. Yes you lot will need to larn how to utilize it, but think of that as learning photography and not so much learning about cameras.

Information technology'south nigh inevitable that you'll come up to a betoken that you think a different movie camera would suit you lot ameliorate. But when you practice, the chances are, you're nevertheless a long way from actually needing to "upgrade". In all hobbies that involve gear there'due south a matter called GAS or Gear Acquisition Syndrome. I've written a adequately tongue/in-cheek mail service most some of the different forms this takes in photography hither.

The reality is, information technology's an affliction a lot of photographers have. It often comes about through a dissatisfaction with the photographic camera you own, and a feeling that if only it did this other thing, or had that other characteristic yous would exist a improve lensman. In reality, this is probably rubbish! The chances are almost infinitely greater that you're using your camera as a scapegoat for some sort of lack in your abilities as a photographer.

Two phrases come to my mind – both are worth keeping in your mind. The first is this: "A good craftsman never blames his tools". The 2nd, which is essentially the same, but is more specific to photography is this: "A good photographer can take a good photo with any camera". Y'all'll read that second phrase to the signal of tedium if you lot go into photography and start exploring forums etc, just every bit hackneyed as it is, just brand sure yous take it in heed before you lot sink more cash on your 2nd moving picture photographic camera. If you call back there is something defective when it comes to your choice of film camera, yous're much meliorate off trying to acquire a fashion around the trouble than buying your way around it!

More than reading

Equally a last note, I but want to requite you a bit of direction for further reading. This is specifically aimed at those who desire to learn, but as well useful for those wanting to but snap.

First things first, this footling guide to film on Analogue Wonderland is quite useful for helping you get your caput around what film you might desire to shoot.

Searching google for "The Exposure Triangle" will bring upward loads of results, but I personally rate this folio on Cambridge in Color. It'south aimed at digital photographers, simply the principals are the same. There's loads more on that website too, though information technology can get a touch confusing for someone starting out in film photography through where it does differ to digital.

Edit: Since writing this article, I accept also written my own guide to the exposure triangle which you tin find here – it is much more geared up to shooting with a motion-picture show camera.

If y'all want to know more about depth of field, I wrote a post about zone focusing for the Ilford website here. Learning how to zone focus is most the all-time style to empathize depth of field, and in my view leads on to easier understanding of the exposure triangle. There's loads more than beginner and expert film photography information on the Ilford website here too.

A shot from the post I wrote well-nigh zone focussing for the Ilford photo blog

Finally, good luck, and thanks for reading! If you've got this far you're one of the people I wanted to assist when I set up out to write this post. If you still have questions, feel gratuitous to ask below!

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